Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Wednesday, August 13, 2025

Nature Writing

I've been taking nature writing classes for a couple years at the arboretum.  I signed up initially because it's been hard to make time to write the past few years, and this would get me to do a little.

Well, next week's topic is rocks, and I've had so much to say about rock-related stuff that it's sucked all my other writing energy; I look at my list of possible Blaugust posts, and my brain can't process any of the topics into thoughts.

I've been enjoying the classes; I hadn't taken a writing class of any sort since college, and nature writing is a genre I hadn't really engaged with before.  The main side effect is that somehow I have been writing poetry sporadically for the past year, which is also not my usual form, and it's been a bit confusing, but at least some writing is happening.

It may be like when I got the new piano and I was playing so much initially that I also ended up writing three or four new pieces: music begets music, writing begets writing.

I didn't realize just how much I like rocks until this week, although the gallon pickle jar full of them probably should have been a clue. 

Thursday, June 25, 2020

What to do with Lovecraft?

As I've been building a 1920s-era Pathfinder campaign with eldritch horror undertones, I have been debating for a while what to do with Lovecraft, specifically the multifaceted bigotry that's interwoven in a lot of his work. Several events in the past couple weeks have given me some ideas on how to handle it.

Regarding Lovecraft in particular, I recently finished reading N. K. Jemisin's The City We Became.  Jemisin incorporates Lovecraftian elements in the book in a way that acknowledges his racism without absolving him of it.  Indeed, the way she uses it to build a character that embodies this year's apparent theme of "disappointed but not surprised" was really well done.  There may be layers of nuance that I'm missing as a white person or as a non-resident of New York City, but even without those lenses to read through, it's a great book.

So what I took from her treatment of Lovecraft is that you can draw on racist sources to reflect some of the tradition of a genre, but you need to acknowledge its problematic elements, as well, in a way that does not hand-wave away the harm those problematic elements create or reflect.

Having been thinking about this for a while has also been helpful for parsing some of the recent rounds of "these authors whose books you've enjoyed are, in some way, assholes."  This issue has cropped up fairly often in the past several years as people who have been harmed have been emboldened or empowered to speak up.  It's part of the theme of "disappointed but not surprised" that's been going on.  Since I'm just a reader and not hooked into any active writing groups, I only hear about it when it hits the news or the social media circles I'm in, so I will continued to be disappointed but not surprised when I find out someone has been causing harm in some way.

As a reader, I have to decide how I want to engage (or not) with work by authors who are, in some way, problematic.  One thing I am certain of is that I won't recommend an author's work once I find out they are causing harm.  I don't recommend Lovecraft unless someone is doing background reading into the history of science fiction (which is basically why I read his work - to understand references to it in other works), and I do it with warnings about the blatant bigotry.  I have read plenty of other great books that I can recommend instead.

If someone is actively causing harm or an unrepentant bigot, I'm not going to read their works once I find out.  For example, I loved Orson Scott Card's Ender's Shadow, but then I found out about his homophobia and stopped reading the series.  If someone stops causing harm (it generally seems to be some kind of  bigotry or harassment that makes the news), atones, and actively works to not do harm in the future, I would consider reading their work again, but I don't know that that happens very often.  Everyone has a personal comfort level regarding redemption and forgiveness, but redemption requires atonement, and I'm not optimistic that I'll be able to pick back up a lot of the authors I have recently been disappointed by as a reader.

Another recent topic I saw come across Twitter was writing POC main characters as a white author.  (I'm pretty sure I only saw tangential pieces of what was a broader conversation because, again, I'm just a reader and not hooked into any writer networks.)  A lot of my early writing is, frankly, naive when it comes to issues of race, because I grew up naive about issues of race.  I'm not published, so my ignorance is not hanging out there for the world to see, but the discussion has made me think about my capabilities regarding writing diverse characters, what kind of work I need to do to include them in stories without doing so in a manner that would be offensive, and the best practices for writing outside one's own experiences.

This leads me back to The City We Became; I've become someone who reads the acknowledgements section at the end of books - I don't know how, but it's only been within the past year.  Seeing the extensive list of sensitivity readers Jemisin consulted for her diverse cast of characters really drove home how important that kind of feedback is when working with characters whose experiences may be different than your own.  Research can only get you so far, and sources can be biased.  If I want to eventually put some of my work out there, I need to put in the effort to not be someone creating harm, even if it's through ignorance.

Thursday, March 21, 2019

Brain Energy

So I have like 27 draft posts here right now, and I haven't really had the brain energy to touch this place much of at all.  I've been... busy.

On the work front, being a librarian at a SUNY, we're in the midst of an ILS migration that's going to wrap up and go live this summer.  I am simultaneously more than ready for it to be done with, already, and occasionally terrified that I'm forgetting some integral thing we need to get done before we're live.  Maybe that normal for migrations?  Anyway, this has been the biggest brainsuck for the past eight or ten months.

On the school front - yeah, I'm in school again.  I probably (maybe?) mentioned I'm doing a certificate program right now for archives.  After the class this spring, I've got three more to be done with it.  I'm really enjoying the public history classes I've been taking as part of this, and it's been showing me that a) I miss history and b) I've been doing way more public history than I realized as part of what I do in the library.  The last paper I wrote was on the history of my piano (turns out it was built in Muskegon), and that has gotten me playing more, as well, so yay school.

On the reading front, I'm aiming for 52+ books again this year, with the additional caveat of not so many graphic novel/comic issues.  Not that I don't think they're reading, just that they're kind of cheating on the goal when the goal is to be reading more pages, not more titles.  The book unit is just convenient for articulating the goal.  I have been dabbling with audiobooks this spring (I had a coupon, and Hoopla is a thing), and made the mistake of starting a trilogy that the third book isn't out until 2020.  (City of Brass is the first one.  I really enjoyed the narrator in the audio.)

On the writing front... Okay, so like, I never really stop getting new ideas.  Characters, scenes, premises.  I just don't get them out on paper like I did twenty years ago.  So I've got completion/revision goals for this year, and the additional goal of getting stuff down out of my head.  Currently I'm working on finishing #208, my NaNo from 2013.  It's what I was planning to work on when I sat down in my recliner tonight and ended up updating my website and posting this.

On the gardening front, well, it's March.  The gardening front has been pretty quiet since tear-down last fall and planting out the onions.  But the garden & flower show is this weekend!  I will probably get whatever candy Uncle Sam's is selling; buy some bean, pea, and flower seeds; and enter to win a cubic yard of dirt.  (I've considered buying one but don't want to have to schlep it back to the garden from the curb.)  I need to prune the apple trees and the grape vine Sunday if the weather cooperates.  Then I'll probably do nothing on the garden front till the end of April, and hopefully the ground will be thawed and I can turn it over and plant out seedlings the second weekend of May.

On the other crafting fronts... knitting and sewing are mostly on hold this semester.  I'm doing a cupcake project.  I've got a list of cupcakes I wanted to try baking, and have six left on the list:
  • Pineapple w/coconut frosting
  • Carrot w/cream cheese frosting
  • Devil's food w/chocolate frosting
  • Lime w/lime frosting
  • Churro w/cream cheese frosting (first recipe idea from Reddit)
  • Lemon w/lemon frosting.

Oh, and my WoW guild is 2/9 bosses into the heroic difficulty of the current raid tier (which is so much better than the first tier this expansion).

Anyway, I've been busy.

Friday, December 23, 2016

Senses

Particular sensory inputs stick with me, and similar stimuli will evoke memory of the place or experience they're associated with.  Sometimes these make it into a work of fiction, but usually they just come flooding back when triggered.  Here's some of them:
  • The sodium lights on I-271 in Cleveland:  You probably don't notice these during the day, but usually by the time we get to Cleveland, it's past 11 p.m.  Cleveland has lights at all its interstate exits and interchanges, at least on 71/271, and they're the super-tall, two- to six-light clusters of sodium lights - or at least they used to be; I don't know if they've started switching to LEDs yet.  It's a yellower light, and my husband is usually asleep at that point in the trip, so it's just me and a mostly empty highway and the sodium lights.  I haven't actually used this in a story yet, but they're a large part of the inspiration for a setting I've been working on. 
  • The barn (now gone) at my parents':  This is one of the stronger smell triggers - I've only run into it a couple times outside the barn itself, but it's a mix of musty and hay or straw and a hint of mud.  It is perhaps one of the most recognizable of smells for me.
  • The machinery barn at my grandparents':  This is the location evoked for me by the smell of engine grease.  I not infrequently have dreams set in this building.
  • Keemun tea:  I think the first time I bought keemun was because of the color of the container it came in from Twinings, but the flavor, my God.  It has layers.  Twinings eventually stopped carrying it, and I had to find somewhere else.  I picked up a new tin at Jungle Jim's on the way to my folks' for Christmas. 
  • The pineapple fried rice from Jasmine Thai:  This is probably in my top five flavor experiences; I got it kind of randomly because I've been trying to try different things from the Thai restaurant.  It's kind of savory bliss, curry without the heat, with occasional pops of sweet/sour from the pineapple chunks and cashews for a bit of crunch.
  • A ceiling fan under skylights:  The location for this is at a kind of run-down Burger King, but the pattern of light and shadow is particularly evocative.  I used this at the beginning of the first draft of Murena.
Most of these seem to be taste and smell, and a couple of light color/patterns thrown in. There are probably others, but these are the ones that get triggered enough for me to have noticed them.

Sunday, November 1, 2015

NaNoWriMo's here again

It's November, which means it's NaNoWriMo time again.  This month also has Blizzcon, the Access Services Conference in Atlanta that I'm attending, and Thanksgiving, all of which may or may not cause time crunches that will affect opportunity to write.

Either way, the word count widget is up!

Tuesday, October 29, 2013

Sunday, March 31, 2013

Camp NaNoWriMo

The folks at NaNoWriMo shifted Camp around this year, so it's running in April instead of Script Frenzy, which was axed for low participation.  I wasn't planning on doing anything for it, since it's April, school's in, and I'm going to a conference in the middle of the month.

And then I had a dream the other night that had a decent plot hook in it.  This happens fairly often, but April, unlike November, is a statistically bad month for me to be writing.  I do have a four hour layover in Chicago when I go to my conference, though, so I guess I'll see how it goes.

I set the goal at forty thousand words instead of fifty (you can do that for Camp!) since I've got that conference in the middle, and a lot of the stuff I write tends towards forty thousand or trilogies anyway.  Hopefully they'll get a widget together for it so I can add that here.

Sunday, November 4, 2012

NaNoWriMo 2012

The word count widget is back.  Random sword & sorcery fantasy yet again.

Thursday, December 1, 2011

NaNoWriMo - final chart

So I finished the story this year - both the requisite word count and the actual plot.  Final word count: 53623.  And in pretty pictures:


Wednesday, November 23, 2011

NaNo update

Due to not updating on the site or late daily updates, the graph on the NaNo site doesn't quite reflect my actual daily progress.  So here's another chart from the spreadsheet.  The vertical axis is in thousands.

Friday, November 11, 2011

NaNo to Date


I'll probably write some more this afternoon, so today's numbers will change.  But this is where it's at right now in pretty bar-graph format.

(No, those labels in the legend didn't get cut off.  Apparently that's how I have the column headings in my spreadsheet.)

Wednesday, November 9, 2011

Widget!! -->

The NaNoWriMo widgets are back!  So there's me.  I need to update my word count.

I think I'm into Chapter 9 now.  Writing in chapters isn't entirely familiar for me, but I figured if I did an outline, maybe I would keep it moving better.

Most recently introduced character:  nine-foot-tall intelligent blond sloth.  Ahem.  (Sloths are adorable.  It was my favorite animal in the zoo when I was a kid.)

Sunday, November 6, 2011

NaNoWriMo 2011

I keep waiting for the word count widgets to go up on the NaNoWriMo site, but alas, no widgets yet.  I'm sitting at 10,075 words, and now I need to start making soup to freeze for work lunches.  And take out the garbage.  And I think I'm flirting with a migraine again, erg.

I made an outline for the story, but I'm sure at some point I'll need to ditch parts of it as twists occur in the writing.

Daylight Saving Time makes me groggy, regardless of which way the clock goes.

Tuesday, October 18, 2011

Further exploration in Gmail

But first, a picture of the great blue heron that was stalking my fish this morning:


Yesterday I discovered the color-coding of labels in Gmail.  Despite having somewhere in the neighborhood of... fifteen active email accounts, I've started routing the bulk of what I get through one Gmail account.  I liked being able to have a spam account that I used for signing up for reward programs, but I haven't gotten around to syncing Outlook onto my laptop, which means I don't have easy access to half my accounts during the day.  (I guess I could set up the Gmails to all forward to each other?  Hm...)

Anywho, I color-coded all my labels yesterday - ILL-related mailing lists are one color, other library lists are another color, family is red, and so forth.  I briefly experimented with nesting the labels, realized it didn't give me label counts in bulk or let me view multiple sub-sets of labels concatenated, so I undid all of the nesting and just went with the color-coding.  The nested labels had the paths, which actually made them harder to read.

Perhaps I think too much about organizing information flow.  My email storage on my work account is relatively low (about 30 MB), so I end  up archiving it to the hard drive fairly often.  My archive structure has changed at least four times; it's currently broken down by month with four or five subset folders in each month.  I've gone back and forth at times about Outlook's rules: do I see important things faster when I'm putting them in their own folder, or when I let them hit the inbox and have to manually sort them for later reference?

On some level, organization of everything occupies a lot of my thought:  space, spices, cabinets (food and dishes), the refrigerator, paper files, computer files, books, clothes, plants in the garden.  You can see on my story list when I first started keeping my written-by-hand stories in a file box: about March 1998, because the story numbers and file numbers start to align (with a one-off anomaly cause by moving something later).

The end goal of organizational schemes, of course, is being able to find something.  That's what the labels or folders in the email structure let me do.  Color coding the labels don't help with finding things later, though - it helps with initial response prioritization.  If something comes in with a red label, I know it's one of the family labels, and I'll probably look at it before something that comes in with orange (all the merchants).  In a way, the color is acting as a folder, and the labels become sub-folders.  What I still can't do is look at the overarching folder all together.  I would have to apply a generic label to multiple label groups, and I really don't like doubling up labels.

For what I do with my email, this is probably good enough.  We'll see if I change my mind in six months like I tend to do with my email archives structure.

(Crap... I went to put tags on this, and... I don't have an 'information science' tag; I have a 'library science' tag.  Stupid classification schemes...)


Friday, September 16, 2011

A goal for year 31

I want to try to write a blog post every day.  Yeah, yeah, probably not going to happen.  Once a week would be an improvement.

Regardless, it's September, and I'm itching to write.  There are 195 stories on the list, most of them dead, but still.  That's 195 things I could be working on, and 195 things that I'm currently just not interested in working on.  Not today, anyway.

The most recent was based on a coherent dream sequence; I still don't know why in the dream wyvern venom was a requisite component of magical teleportation.  I'm also not sure where one would come by wyvern venom on Manhattan, given the lack of, you know, wyverns.

There's a lot of other stuff I want to pull the meat out of and put together, since a lot of the stories I started were because I had an idea for a character, or a scene, but  no plot.  They're like meat trimmings, and I need to put them all together and make sausage.

I think that's the grossest analogy regarding writing I've ever made.

I need to learn how to make sausage!  No, no, not the edible kind...

Yeah, that totally sounds wrong.

So,  yeah, I want to do at least a little bit of writing every day, for public consumption, here.  The more I have to do, the more I do.

So the current list of projects is something like:
  • Finish sewing renaissance outfit
  • Gardening (end-of-season stuff, planning)
  • Writing
  • Finish touch-ups on office painting
  • Paint patio posts
  • Fish pond fall/winter prep

Which isn't really too terribly time intensive until you consider the social hobbies and, you know, work:
  • Work 40-50 hours/week
  • 10 hours of commuting/week
  • Guild administration
  • Raiding (3-6 hours/week)
  • Monday night gaming
  • Tenure binder
  • Work project planning (National Gaming Day, NaNoWriMo)

Crap, NaNoWriMo.

And I do like to sleep sometimes.

But yeah, a little bit of writing every day.

Thursday, February 24, 2011

Recent prose

An idea I've had for a while, but had not yet put on paper. If it gets further than this, there are at least two other characters I know will be introduced. (My mage/knight/thief pattern will probably remain intact.)
====================

Flit woke confused. He was confused because he knew he was Flit, and he had never had a name before. He was hungry, and less than ten yards from his perch, a mouse was sitting in the open, on a bare patch of dirt. It was a white mouse, with red eyes. He had never seen one like that before, but a mouse was a mouse.

He dove, but the mouse didn’t run for cover. No, when he was barely three feet from her, talons extended, she held up a paw in his direction, and spoke.

“Hold animal.”

Flit felt his wings stiffen, and he glided over her, thudding awkwardly to the ground just past her, stuck in his gliding position. He was more confused now, because the mouse had spoken to him, in the noises humans made, and he had understood her.

She walked over to stand beside his head and sat back on her haunches. “What are you called?”

Flit just blinked at her. She expected him to answer, apparently, and he couldn’t move. Around her waist was belted a narrow strip of leather, upon which hung the tiniest of pouches, and a sliver of metal with a bit of thread wrapped around one end was tucked in it. He could feel himself starting to panic, which was worrisome, because he understood that he was starting to panic.

“Oh, yes, I’m sorry. I suppose you can’t talk at the moment.” She made a small gesture with one paw, and he felt all his muscles relax.

“What did you do?” he exclaimed, stumbling around to stand up. Flit was not sure if he was more concerned that he had vocalized the human words, or that it had been reflexive, or that he was thinking about being concerned.

“My name is Sylvia. I am a priestess of Lune, the goddess of the moon.”

“You’re a mouse,” he said.

“And you,” she said, “are a pigeon hawk. I believe you are confused about your diet.”

He leaned his head down close to her. “I am a kestrel,” he objected, “and I eat mice quite often.”

“Perhaps,” she said, putting a paw on his beak. “But not me. If you persist in trying, I shall have to do something more drastic than simply immobilizing you.”

“Why am I speaking to you?”

“Because you tried to kill me,” she said, then shrugged, which was somewhat awkward with mouse shoulders.

“I mean, why am I speaking?”

“Ah. I believe the usual cause is wild magic. There is a wizard’s tower in the woods very near here. It has been abandoned for quite some time, but unusual things happen in the area.”

“How do you know that?”

“I have been researching it for close to three months.”

“You’ve been what? Do mice even live three months?”

“I am almost four years old,” she said indignantly. “I was struck with magic powerful enough to make me understand things no mouse does. Do you think it did nothing else?”

“I have no idea.”

“How did you know you’re a kestrel?” she said.

“I have no idea,” he repeated, a little more miserably this time.

“I have been like this over three years,” she said, patting his beak. “How old are you?”

“Six years.”

“Are you new to the area?”

“Got chased out of my old territory three months ago by a pair of hawks,” he said, a little dejectedly.

“Ah.” She dropped back down to all four paws. “Well, I should get going. I do not travel quickly, and it will take me some time yet to get to the tower.”

“Why are you going to the tower?”

“The wizard acquired a reliquary holding a lock of my goddess’s hair. It is to be recovered, and returned to her temple in the human city of Landsfall.”

“Who told you this?”

“My goddess.”

“Oh.”

She turned and headed off in the direction of the distant woods, and after a moment, Flit took an awkward hop after her.

“Do you – do you want me to take you there?” he asked her.

“With claws like that?” she replied. “No, thank you.”

“You have… little grasping hands, yes?” he said, keeping pace with her now and looking at her paws. “You could hold on.”

She stopped and looked up at him. “What is your name?”

“Flit.”

“Tch, a sparrow name,” she said. “Very well, then, Mr. Flit. The tower is in the forest, although I do not know if it is tall enough to be seen above the trees.”

“How do you even know where you’re going?” he asked, wincing as she climbed her way onto his back. “You can’t possible see above the grass.”

“Oh, I rode most of the way here atop a wagon of grain,” she said.

“Here from where?”

“Landsfall.”

“Where is that?”

“To the north, almost two hundred miles.”

“That’s a long way off for a mouse, isn’t it?”

“Quite. I doubt most ever travel further than a mile from where they’re born.”

“Are you holding on well?” he asked.

“I should hope so,” she said.

“All right then.”

He took a pair of steps and was airborne. He could hear the mouse’s high pitched squeal of terror as he gained altitude, and then she was praying.

“I’m not going to drop you,” he said. “We’re just getting high enough up to see if we can see the tower.”

“My eyes are probably not good enough to see quite so far,” she said.

“Mine are.”

====================

PS: Copyright 2011 Katherine Brent

Monday, January 3, 2011

Of tablets

I think I've figured out why the tablet computers available both intrigue me and make me go, "Meh," at the same time.

Firstly, I'm a Windows fangirl. Not terribly so; it's a byproduct of wanting my various electronic gadgets to seamlessly talk to each other. I'm also an anti-fan of Apple. I know, I know... People love their stuff. But their willingness to censor, to arbitrarily exercise their corporate right to quash third-party apps for their app stores, to impose broadly restrictive DRM just irks the librarian in me.

I'm not some rabid "information wants to be free" activist. I mean, dude, I don't even rip artwork to make Facebook profile pictures; I had issues with the "change your profile picture to your favorite cartoon character for X cause" not just because doing so is more or less meaningless to actually supporting the cause (go out and actually help people, or donate to appropriate charaties), but mostly because it was flagrantly promoting copyright violation. But seeing the hassle people I know have gone through with songs they've bought on iTunes when their iPod dies, or if they want to play it on some other music device... that's just excessive. Amazon's mp3 license is awesome (even if I have similar problems with Amazon's Kindle).

So that's strike number one against most of the tablets on the market - I want something running a Windows OS. (I may also still be secretly pining for a Windows-based UMPC. *sigh*)

Secondly, I don't want a tablet for apps. I want a tablet that will do basically two things: browse the Internet, generally to access CNN, the New York Times, the local paper's web site, Wikipedia, and the bevy of web comics I read; and use Microsoft Word. Admittedly, MS Word isn't my primary choice of word processor (I love Corel's WordPerfect), but moving between devices, it's gotten easier to use the same program across them all rather than continually save multiple formats.

Yes, I basically want a netbook. But I want a netbook with maybe a 5-7" screen, that will fit in my purse. I think, really, I basically want my husband's phone, without the phone component, enlarged to the point where the screen hits that size. I don't need sound - hell, I don't even need video capability, because I rarely look at YouTube, and I don't like watching video news.

I think Fujitsu actually made what I was looking for about 10 years ago. (They still do!) I'm sure it's gotten sleeker since then. Having it be a tablet, rather than a standard clamshell type laptop/netbook would probably make its profile such that it really would fit in my purse.

Sony makes a little ebook reader that's about the size I want - it just doesn't do what I want. Give it browser capability and the ability to create/edit Word documents, and it would have pretty much what I want - the ability to write in a restaurant while my husband is in the bathroom, or while standing in line somewhere. I'm pretty good at zoning out the world and writing in public, but a laptop is too cumbersome for doing so, and I'm trying to get away from writing on paper (as much as I love it).

Ok, yes, I can actually do all of this on my phone. The screen is just small, and its inability to take a USB stick (ok, that's an additional consideration) requires synching prior to leaving the house. If I could plug a thumb drive into my phone, I wouldn't even been writing all this. Maybe that's what I really need - my next Windows phone to be able to take a USB stick.

Technology is great; it's just never quite what I want it to be.

Thursday, December 2, 2010

NaNoWriMo retrospective

Not surprisingly (well, to me), I hit about 35,000 words by the end of November. There are four reasons this isn't surprising to me.
  • Five days in, I switched stories. The first one just wasn't doing it for me.
  • This just isn't a 50,000 word story. I think it will top out at about 43,000. I realized that about the 27th.
  • We're in the process of packing the apartment, which is a huge timesuck. (Also, the process of buying a house leaves one brain dead at certain stages.)
  • I haven't been able to do 50,000 in a month since I started working fulltime. Thanksgiving weekend hurts more than it helps.
That said, I know more or less where this is going, unlike my previous two NaNo stories, so I'll probably keep writing through the end of it before skipping back to something else. I just need to get my characters out of the woods east of Lake Baikal and back to Istanbul, which is taking longer than I expected.

I don't think I'm going to try historical fiction for NaNoWriMo again; it takes too much work to do right (looking up the names and/or existence of towns in 1906, etc.) for something with a sharp deadline.

Tuesday, November 2, 2010

Literary references

So I read somewhere - I think it was that Pew Forum survey that was going around about religious knowledges - that less than half of Americans know who Job was in the Bible. That bothered me, since probably half of my literary references are biblical. I don't have the background to reference Plato and Cicero and all the other Romans, or the Greeks, or even Shakespeare, really, but I read most of the Old Testament in first grade.

I suppose having to explain what a griffin was (with visual aids) in 11th grade should have clued me in that the mythic and fantasy background that I did have at that point, while limited compared to true readers/scholars, was still more expansive than most of the people I knew outside my family. It was kind of weird to realize that what used to be commonly recognizable heraldic elements have started trickling out of common knowledge.

At this point, the realizations leave me with two trains of thought: firstly, to fill in the gaps in my own literary knowledge (via reading classics) and secondly, what the hell do I do about my tendency to reference Biblical characters? What's the point of setting up a Job character if no one's going to recognize it?

I come from a relatively mainstream Protestant background; vacation Bible school, confirmation, Bible in first grade, Sunday school, youth group - relatively active and engaged up till leaving for college. We didn't really talk religion much at home that I recall; most of my exploration of spiritual issues came after I'd left for college, when I took a couple courses on the Renaissance and read some Erasmus and other Renaissance philosophers. I picked up enough to realized that I had learned practically nothing about the history of Christianity at church.

Taking the Pew Forum's short quiz, I've come to realize that most of what I know about religion that isn't based on scriptural knowledge, I learned in my American Lit class in high school, as well as the courses I took on Byzantine history and the Renaissance in the course of my undergraduate degree in history. Most of the rest? From the New York Times. And that's still really a drop in the bucket; there are vast swaths of humanity about whom I know nothing of what they believe (or believed, for religions that have died) on a spiritual level.

Knowing what I do know, and what I don't know, and being involved in education from a library point of view - how do you teach literature when so many people nowadays don't understand the underlying implications of the text? Do the underlying implications matter, or can literature be studied devoid of knowledge of its influences?

I think I actually had this debate with my sister, regarding art. If art is removed from its context - if you have a poster of a famous painting, but know nothing about the painting other than that you like the picture - is it still art? Is it somehow devalued by not knowing the artist's intent? Does making posters of famous paintings devalue the original art? I believe I actually came at the reproduction debate from a point of access: hundreds of thousands - millions, even - of people will never see most works of art in the flesh, such as it is. But sell it as a poster in a print shop, and thousands more people are exposed to it. I guess it comes down to the purpose of art: the artist has one purpose, each individual viewer his or her own. Does mass distribution devalue art, or does it just give more people the opportunity to reap its benefits?

So if you consider something like Animal Farm: can it be read, and studied, as literature, without getting into its references to the Russian Revolution? Something written as a direct commentary on an event or era - what, if anything, is lost when the reader has no knowledge of the topic being referenced? If you don't know anything about the Russian Revolution, can you still get value out of Animal Farm, or is its value lost without the underlying theme?

I think, really, the answer for me lies in the quality of the work in question. A great work of literature or art will be timeless even if its content is, like that of Animal Farm or Picasso's Guernica, directly commenting on a historical event or era. It has value outside its context. Not all works achieve this.

So is understanding of the literary references necessary? I think a reader will have a much richer experience with it, but if the work is of good quality, it will be able to stand on its own without needing understanding of the references.

Monday, November 1, 2010

NaNoWriMo again

So it's NaNoWriMo time again. Not surprisingly, I have about 6 ideas to pick from, and I haven't decided yet.

I've got the spreadsheet set up, at least.

Stuff I use while writing:
  • www.behindthename.com for names & meanings
  • www.dictionary.com and its related thesaurus, though if I don't find what I'm looking for, I'll hit up the 20-volume OED at work
  • Google maps if I'm working anywhere on earth for terrain, ground cover, and so forth
  • Digital Collections & Archives from the Library of Congress, especially if I need archival maps (it was great for the story set in 1903)
  • Wikipedia for most general knowledge stuff, like the history of the phonograph or when something was discovered/invented